Swan River Press has been around for a while, but I just recently discovered them. I ordered a back issue of The Green Book (Issue 6, 2015) because it contains a previously forgotten ghost story by Bram Stoker, author of Dracula. The Bram Stoker story is only the beginning. The entire book is chock-full of writings on Irish Gothic, supernatural, and fantastic literature. I highly recommend it!
Mark Valentine: This approach is particularly significant in “Time and the City”, where imagination seems to be actually creating a city. Do you see some strong affinities between architecture and literature?
John Howard: I’m sure there can be. For example it’s possible to talk of “constructing” a story, or “building” a world, and so on. Stories can be flung up overnight or take a long time to assemble, and painfully. And in some stories it is possible to remove something, bringing it crashing down, while others never get off the ground because the foundations are inadequate or haven’t been provided.
There are plenty of buildings and architectural references and themes in my stories (and one or two even have architects as characters). I am very interested in architecture—especially Art Deco and the “International Style”—and, like most writers, sometimes include my interests in my fiction.