Extraordinary Paranormal Noir

Seance on a Wet Afternoon

 

A blog called Film Noir of the Week reviews Séance On A Wet Afternoon, saying:

This is the story of a mentally unstable woman who believes that she communicates with the dead. Her hubris demands that she control and improve her fate, and so she turns to crime in order to satisfy her goals. 

Séance on a Wet Afternoon from director Bryan Forbes has the standard ingredients of noir, and yet this highly unusual film–one of the most unusual noirs to emerge in the 60s–explores those ingredients in a novel way. Myra (Kim Stanley) and Billy Savage (Richard Attenborough) are a middle-aged couple who commit a crime in order to accelerate Myra’s career as a psychic.

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Burning Man

I thought Steve Aylett was joking when one of the characters in his phosphorescent noir-action novel,  Novahead, says that a character in Charles Dickens’  Bleak House died from spontaneous human combustion. I have obviously never read Bleak House. David Perdue tells us that “Dickens sparked controversy in Bleak House when he had a rag and bone dealer named Krook die by spontaneous human combustion, a phenomenon where the human body catches fire as a result of heat generated by internal chemical action. Although scientists have denied the existence of this phenomenon, supposed cases of spontaneous human combustion are still reported today.”

In the next paragraph of Novahead, one of Aylett’s characters refers to Howard’s End as a “vampire novel.” It’s not, of course, but in some strange way, it seems like it could have been mistaken for a vampire novel by someone from the future (if that makes any sense). The E. M. Forster novel is set in Old England, the people have defined roles based on social class. Aren’t the rich always sucking life from the poor? Rob Doll, in his E. M. Forster web site, Pharos, reminds us that the character named Leonard is called the “grandson to the shepherd or ploughboy whom civilization had sucked into the town; as one of the thousands who have lost the life of the body and failed to reach the life of the spirit.” It’s only a small leap from that idea to the recent proliferation of historical vampire and zombie fiction, like Elizabeth Kostova’s The Historian  or Seth Grahame-Smith’s revision of a Jane Austen classic,  Pride and Prejudice and Zombies.

All that from a couple of sentences in Novahead; sentences which have little to do with the plot, but go a long way in illustrating the density of knowledge we have come to expect from Steve Aylett.

Thomas Pynchon’s Inherent Vice: Feds, Heads, and Threads

The books of Thomas Pynchon are so chock-full of cool references, I had to make two collages for this blog entry. Pynchon is one of my favorite writers. I recently read his noir-hippie novel, Inherent Vice (The Penguin Press, New York, 2009). The term “inherent vice” is a legal term that refers to  physical properties of goods which may cause them to suffer deterioration or damage without outside influence, like rust or decay. Near the end of the book, someone asks if  “inherent vice” is like “original sin.” By  this time, the story has unfolded to the point where we recognize that even the so-called “good guys” are flawed, which is not a new theme of course, but Pynchon just does it so well. Here are some of the observations I jotted down while reading Inherent Vice, whenever I had the presence of mind to do so: 

There was a show on television about drugs, either PBS or the History Channel, which ended by suggesting that the internet might provide the “expanded consciousness”  sought by hippies and psychedelic gurus like Timothy Leary. And, in fact Wikipedia tells us:

By the mid 1980s, Leary had begun to incorporate computers, the Internet, and virtual reality into his aegis of thought. Leary established one of the earliest sites on the World Wide Web, and was often quoted describing the Internet as “the LSD of the 1990s. ” 

Pynchon touches upon this idea in Inherent Vice. Private investigator Doc Sportello consults with an 1970 version of a computer geek named Fritz, is, who looks up information on a forerunner of the World Wide Web called ARPAnet. Fritz calls it “surfing the wave of the future.” He tells Doc:

(We) just got this new hire in, name of Sparky, has to call his mom if he’s gonna be late for supper, only guess what – we’re his trainees! He gets on this ARPAnet trip, and I swear it’s like acid, a whole ‘nother strange world – time, space, all that shit. 

“So when they gonna make it illegal?” asked Doc.

I like the way Pynchon throws philosophical concepts into his stories without annoying anyone who doesn’t give a rat’s ass about philosophy. Case in point, again from Inherent Vice:

While spying on some shady characters, Doc Sportello is surprised and alarmed to see a rather risque, hand-painted image of his ex-girlfriend, Shasta, on a neck-tie worn by one of the thugs. Not only does Doc feel a twinge of jealousy, he also realizes that Shasta’s life may be endangered by her involvement with suspected criminals. In trying to cope with these concerns, he thinks:

Back in junior college, professors had pointed out to Doc the useful notion that the word is not the thing, the map is not the territory. He supposed you could extend this also to the nudie necktie is not the girl.

Doc’s professors were quoting Alfred Habdank Skarbek Korzybski (July 3, 1879 – March 1, 1950) was a Polish-American philosopher and scientist best known for developing the theory of general semantics. This theory says that people can’t experience the world directly, but only through impressions we get from our five senses and through our understanding of the meaning of words; or to put it another way, words are merely imperfect symbols that represent reality, therefore, reality can never be perfectly understood. This concept is sometimes incorporated into the work of science fiction writers such as A. E. van Vogt, Robert Heinlein, and Samuel R. Delaney, as well as Beat writer William S. Burroughs (whose work can sometimes be classified as science-fiction as well).

Pynchon paints uncanny pictures with words – uncanny because they remind me of scenes or situations I’ve found myself in. It’s not so much that I’ve been the the same exact situations; it’s more a feeling of deja-vu experienced vicariously through Pynchon’s characters:

 The sun vanished behind clouds which grew thicker by the minute . . . After hours of detouring for landslides and traffic jams and accidents, Doc and Shasta  finally located the mystically revealed dope dealer’s address, which turned out to be an empty lot with a gigantic excavation in it, between a laundromat and an Orange Julius-plus-car wash, all of them closed. In the thick mist and lashing rain, you couldn’t even see to the other side of the hole . . . Doc and Shasta sat parked by the edge of the empty swamped rectangle and watched its edges now and then slide in, and then after a while things rotated ninety degrees, and began to look, to Doc at least, like a doorway, a great wet temple entrance, into someplace else . . .

Good stuff.

For more information on Thomas Pynchon, here is a page created by   Penny Padgett and augmented by The San Narciso Community College. I especially like the section on Pynchon’s influences.