Wild Imagination

Wuthering Heights

Cambridge man Mike Dash, writing at A Fortean in the Archives, reflects on the weird imagination that informed Emily Brontë’s classic novel Wuthering Heights. Here’s an excerpt from the blog:

More than a quarter of a century has passed since a couple of psychologists named Theodore X. Barber and Sheryl Wilson first published their important study into the central role that a percipient’s fantasy life plays in the nature, frequency and detail of the paranormal claims they make… I was particularly interested to discover the other day just how closely one of the most notable figures in nineteenth century English literature fits the model of the fantasy-prone personality. Emily Brontë, as is well known, was one of three literary sisters, living with their father in a Yorkshire parsonage in the first half of the nineteenth century. The eldest of the three, Charlotte Brontë, produced Jane Eyre (and three other inferior novels); the youngest, Anne, The Tenant of Wildfell Hall. Emily, the middle daughter, of course became famous as the author of Wuthering Heights, by common consent one of the most powerfully imaginative and original works of fiction in the English language.

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Peering Behind Childhood’s Curtain: Eric Lehman Reviews Kerouac’s “Dr. Sax”

University of Bridgeport English Professor Eric D. Lehman reviews Jack Kerouac’s Dr. Sax on Empty Mirror Books:

“Dr. Sax is one of Jack Kerouac’s most troubling books for readers, peering behind the curtain of his childhood rather than exploring those later years of Beats and bodhisattvas. Nevertheless, it remains a startling achievement, unique not only among Kerouac’s works, but among those books that it seems to mirror. It is primarily a book about growing up, similar to such European classics as Alain Fournier’s Le Grand Meaulnes, Hermann Hesse’s Demian, or Jean Giono’s Blue Boy. These books all explore the “magic” of youth by allowing adult readers to see through the eyes of children again, when the magic was real.”

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