Swan River Press, The Green Book, and Irish Gothic

WIN_20181223_12_48_37_ProSwan River Press has been around for a while, but I just recently discovered them. I ordered a back issue of The Green Book (Issue 6, 2015) because it contains a previously forgotten ghost story by Bram Stoker, author of Dracula. The Bram Stoker story is only the beginning. The entire book is chock-full of writings on Irish Gothic, supernatural, and fantastic literature. I highly recommend it!

Read more about Swan River Press here

Contemporary Reviews of Bram Stoker’s Dracula

Dracula first edition

(First Edition – Archibald Constable and Company, 1897)

I’ve been perusing and enjoying The Bela Lugosi Blog all afternoon. I just discovered it today and highly recommend it to anyone interested in Bela Lugosi, Dracula, horror films, or film and television in general. 

Here are some reviews written about Bram Stoker’s novel, Dracula, when it was first published in the UK in 1897 and in the US in 1899. Fun reading, and interesting.

The Daily Mail, June 1, 1897

Review

It is said of Mrs. Radcliffe that when writing her now almost forgotten romances she shut herself up in absolute seclusion, and fed upon raw beef, in order to give her work the desired atmosphere of gloom, tragedy and terror. If one had no assurance to the contrary one might well suppose that a similar method and regimen had been adopted by Mr. Bram Stoker while writing his new novel “Dracula.” In seeking for a parallel to this weird, powerful, and horrorful story our mind reverts to such tales as “The Mysteries of Udolpho,” “Frankenstein,” “Wuthering Heights,” “The Fall of the House of Usher,” and “Marjery of Quether.” But “Dracula” is even more appalling in its gloomy fascination than any one of these.

We started reading it early in the evening, and followed Jonathan Harker on his mission to the Carpathians with no definite conjecture as to what waited us in the castle of Dracula. When we came to the night journey over the mountain road and were chased by the wolves, which the driver, with apparently miraculous power, repelled by a mere gesture, we began to scent mystery, but we were not perturbed. The first thrill of horrible sensation came with the discovery that the driver and the Count Dracula were one and the same person, that the count was the only human inhabitant of the castle, and that the rats, the bats, the ghosts, and the howling wolves were his familiars.

Read More

 

Danel Griffin on The Implications of Vlad the Impaler and the Alchemist Dippel’s Fictional Metamorphosis

If you’ve read the About page of Bill Ectric’s Place, you know I’m interested in academic pursuits, and if you’ve read more than a couple of my blog entries, you know my interests include the mysterious, the esoteric, and the Gothic. Imagine my delight at finding this article by Danel Griffin on his Film as Art website.

He begins:

“This thesis proposal initially found its roots in an afterthought, a few years after I read a set of books by one Radu Florescu titled In Search of Dracula and its follow-up In Search of Frankenstein, two fascinating travel books speculating on the actual historical personalities who probably inspired Bram Stoker and Mary Shelley to write their Gothic masterpieces.

Allow me a brief set-up, and then we’ll get to the afterthought that planted the seed: Stoker is widely known (although few people probably know that it was Florescu who first suggested the connection—Clerici, 3) to have based his bloodthirsty Count on the sixteenth-century Wallachian prince Vlad Tepes “the Impaler,” dubbed “Dracula” (meaning “Dragon,” or “Devil”) by his enemies . . . Less widely known but equally fascinating is Florescu’s research on the historical Dr. Frankenstein, one Johann Konrad Dippel, an eighteenth-century alchemist born in Castle Frankenstein whose diabolical experiments included grave-robbing, and grinding up bones and human flesh for life-lengthening potions (Florescu, In Search of Frankenstein, 65-94) (which were never successful). Both of these men were quite notorious in their own times . . .”

Read entire article