One novel does not a profound and lasting influence prove. However, there are others. Stephen King, for instance, has returned to Jackson’s work throughout his long career. In Carrie, there is a description of the young Carrie White having experienced a rain of stones very much like the one that precipitated upon the young Eleanor Vance. (And the novel’s portrait of the relationship between Carrie White and her mother probably owes something to the maternal conflict hinted at in The Haunting of Hill House) . . . As (King) acknowledges in Danse Macabre, The Shining engages Jackson’s The Sundial in its plot of a family confined to a large, old building while a storm rages outside. King’s script for Rose Red, in which a group of researchers gathers to investigate an infamous haunted house, began as a deliberate response to The Haunting of Hill House. Among recent works by other writers, Sarah Langan’s Audrey’s Door incorporates a rewriting of the opening paragraph of The Haunting of Hill House into a late chapter to signal its conversation with the novel, particularly at the nexus of mental illness, maternal anxiety, and uncanny dwelling places. Paul Tremblay’s A Head Full of Ghosts mirrors the sibling relationship at the heart of We Have Always Lived in the Castle to add resonance to his story of a family under pressure from forces from without and within.