Rod Serling Revisited

Rod Serling Twilight Zone

An article I wrote for Literary Kicks a few years ago:

It’s common among “Beat Generation” aficionados to scorn the popular media version of the Beats, especially the term “beatnik”, and the stereotypical goatee-sporting hipster. But to a youngster growing up in a small town, like me, sensing there was more out there than what they taught in middle school, even the cliche hints of downtown jazz and nightlife and hip lingo were welcome. I could tell right away that Rod Serling was cool, from the subdued bongo drums in the opening theme to his sly, out-of-this-world countenance. He almost seemed to wink knowingly when he shared his imagination and vision with me, the viewer.

I remember the episode about the trumpet player, down on his luck and questioning his very reason for living. In a kind of jazz version of It’s A Wonderful Life, the musician is hit by a car, killed, then finds himself hanging out with another, older, trumpet player whose chiseled features, goatee, and night club suit are a sharp contrast to the pudgy angel Clarence in the Frank Capra classic, though he is an angel, nonetheless. After giving the young musician a new lease on life, we learn the angel’s name as he makes his exit.

“I didn’t catch your name!”

“Just call me Gabe,” says the goateed veteran horn-blower. “Short for Gabriel.” He holds up his trumpet to illustrate his point. Gabriel is the trumpet blowing angel in the Bible. But this wasn’t my parents’ church, it was the concrete-neon jungle where the hipsters dwell and Doctor Sax blows jazz in a smoky bar room.

Serling created the Twilight Zone in 1959. He often battled with censors and sponsors to present themes and issues which he felt were important but which the sponsors feared were too controversial. He became known as “Television’s Angry Young Man.”

Read More

Leave a comment

Filed under Uncategorized

Marc Zicree on the Ray Bradbury/Rod Serling Controversy

Leave a comment

Filed under Uncategorized

From Gothic Thriller to Art Film

The Burning Court was directed by Julien Duvivier

Another fun website that reviews and analyzes genre films is Braineater, created and maintained by Will Laughlin. In this installment he reviews the French film La Chambre ardente (1962), “a movie that sits somewhere between an art film and a Gothic thriller,” directed by Julien Duvivier, based on a classic novel by the American author John Dickson Carr. 

Here’s an excerpt from Laughlin’s review:

Carr, after a slow start in the late 1920’s, came into his own in the early 1930’s. He was soon recognized as one of the finest mystery writers of the so-called Golden Age. In 1937, he published what many consider his greatest novel, The Burning Court. However, his work — while always professional — was sometimes uneven; and after the Second World War, his career began to falter. A new generation had come to maturity, and they considered Carr and the writers of the Golden Age too old fashioned, too academic… a remnant of the old order that had been destroyed by the war. Nevertheless, Carr continued to write Golden Age-style detective stories well into the late 60’s and early 70’s. Though there have been periodic revivals of his work, and though he has always had supporters in fellow writers like Kingsley Amis and Anthony Boucher, Carr has never recaptured the recognition his admirers consider he deserves. If you think about it, there’s an obvious reason Duvivier chose to turn The Burning Court into La Chambre ardente

John Dickson Carr

Author John Dickson Carr

Julien Duvivier

Director Julien Duvivier

 

 

 

 

 

 

Read More

Leave a comment

Filed under Uncategorized

LaVilla: Whetstonian’s Last Days? / The Mural of Walter Whetstone’s Life

Here’s another great article about Walter and Dorothy Whetstone, written by my friend Tim Gilmore on 11/18/2016:

Walter Whetstone doesn’t remember me. He’s had two strokes since our last substantial conversation. I first wrote about Walter and his masterpiece of Outsider Art called …

Source: LaVilla: Whetstonian’s Last Days? / The Mural of Walter Whetstone’s Life

Leave a comment

Filed under Uncategorized

Blackburn House

golden ratio

NOTE: This was written by Tim Gilmore, not me. I like it and wanted to share it.

by Tim Gilmore, 10/2/2016 In 1941, the house stood square, wooden, and “in true,” as its carpenters proclaimed their work. Two bedrooms, one bathroom, 1100 square feet, and the reticulated longleaf…

Source: Blackburn House

Leave a comment

Filed under Uncategorized

GRANT KITTRELL

I’ll be sharing a reading venue with Grant Kittrell on November 12, 2016 at The Mazer, in the Park & King Street area! Come out and hear us! We each will do three readings, taking turns, from 3:00 PM to 6:00, which give you time to have drinks, food, and walk around to some of the other venues.

grant-kittrell

Source: GRANT KITTRELL

Leave a comment

Filed under Uncategorized

Contemporary Reviews of Bram Stoker’s Dracula

Dracula first edition

(First Edition – Archibald Constable and Company, 1897)

I’ve been perusing and enjoying The Bela Lugosi Blog all afternoon. I just discovered it today and highly recommend it to anyone interested in Bela Lugosi, Dracula, horror films, or film and television in general. 

Here are some reviews written about Bram Stoker’s novel, Dracula, when it was first published in the UK in 1897 and in the US in 1899. Fun reading, and interesting.

The Daily Mail, June 1, 1897

Review

It is said of Mrs. Radcliffe that when writing her now almost forgotten romances she shut herself up in absolute seclusion, and fed upon raw beef, in order to give her work the desired atmosphere of gloom, tragedy and terror. If one had no assurance to the contrary one might well suppose that a similar method and regimen had been adopted by Mr. Bram Stoker while writing his new novel “Dracula.” In seeking for a parallel to this weird, powerful, and horrorful story our mind reverts to such tales as “The Mysteries of Udolpho,” “Frankenstein,” “Wuthering Heights,” “The Fall of the House of Usher,” and “Marjery of Quether.” But “Dracula” is even more appalling in its gloomy fascination than any one of these.

We started reading it early in the evening, and followed Jonathan Harker on his mission to the Carpathians with no definite conjecture as to what waited us in the castle of Dracula. When we came to the night journey over the mountain road and were chased by the wolves, which the driver, with apparently miraculous power, repelled by a mere gesture, we began to scent mystery, but we were not perturbed. The first thrill of horrible sensation came with the discovery that the driver and the Count Dracula were one and the same person, that the count was the only human inhabitant of the castle, and that the rats, the bats, the ghosts, and the howling wolves were his familiars.

Read More

 

Leave a comment

Filed under Uncategorized