Annihilation, the film: A Fresh Review

Natalie-Portman-in-Annihilation-photo-Paramount-Pictures-1038x576 (2)

Natalie Portman in Annihilation (2018, Paramount-Pictures)

Scott Ashlin doesn’t pull punches. If he doesn’t like a movie, he will tell you, and he will tell you why. Ashlin, also known as El Santo, writes reviews at one of my favorite sites,  1000 Misspent Hours and Counting. Even though he jokingly calls his site “aimed exppressly at wrong-thinking,” Ashlin actually excels at knowledgeable film criticism. That’s why I was so interested in his opinion of Annihilation (2018), based on a book by Jeff VanderMeer, directed and co-written by Alex Garland. Many reviews of this film, both good and bad, seem to have agendas. S. T. Joshi, for example, hardly ever likes the most recent books of the weird or their movies, preferring the old, grizzled masters.  For example, he dismisses Stephen King and champions H. P. Lovecraft. It’s almost as though you can’t be that good if your book has been made into a blockbuster movie. Joshi is a great scholar of the weird, and I enjoy reading him, even if I don’t always agree with him.

But here is Scott Ashlin’s unsolicited opinion of Annihilation. He likes it:

 What I am certain of is that Annihilation is suffused throughout with something that’s been largely missing from mainstream science fiction movies for far too long, a sense of the vast and awesome strangeness of the universe that we inhabit. One of my favorite characteristics of the best and most ambitious sci-fi of the 50’s and 60’s is that it reveled in the majesty of the unknown. . .

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