Coming soon: More of my notes on Thomas Pynchon, Steve Aylett, and Charles Wadsworth Camp, but check this out! From Science Fiction Studies, a fantastic Special Issue on Slipstream, edited by Rob Latham, who begins by saying:
In July 1989, in his “Catscan” column in the fanzine SF Eye, Bruce Sterling published an essay entitled “Slipstream.” This brief piece combined a polemic against the moribund state of the sf genre with an analysis of an emerging literary mode that engaged the contemporary world with the ideational boldness sf had allegedly abandoned. This mode Sterling dubbed “slipstream,” rather nebulously defined as “a kind of writing which simply makes you feel very strange; the way that living in the late twentieth century makes you feel, if you are a person of a certain sensibility” . . .
. . . James Patrick Kelly and John Kessel’s 2006 collection Feeling Very Strange: The Slipstream Anthology showed the range and diversity of this new mode of writing, which at times seems like sf, at times like magic realism, at times like postmodern metafiction, but mostly a compound form all its own. Meanwhile, claims have been advanced for crossbreedings between the literary mainstream and other popular genres, but also for interminglings among the genres themselves, with terms such as New Wave Fabulism, the New Weird, and Interstitial Fiction generating their own sets of debates and semi-canonical anthologies . . .