Will Self Writes in the Morning

Author Will Self, photographed by Karen Robinson for The Guardian

Author Will Self, photographed by Karen Robinson for The Guardian

Again, someone who recommends writing in the morning. I’ve only written in the morning twice. Both times were to record lucid dreams before I forgot them. I keep saying I’m going to try it for my fiction writing. Maybe tomorrow.

From The Guardian:

When I’m working on a novel I type the initial draft first thing in the morning. Really: first thing. For preference, I have a cigarette ready-rolled and a coffee percolator loaded the night before; then I simply roll out of bed, fuel up and set to it. I believe the dreaming and imagining faculties are closely related, such that wreathed in night-time visions I find it possible to suspend disbelief in the very act of making stuff up, which, in the cold light of day would seem utterly preposterous. I’ve always been a morning writer, and frankly I believe 99% of the difficulties novices experience are as a result of their unwillingness to do the same. Narrative structure, mise en scene, characterisation − you can’t get to grips with these problems unless you’ve put the words on the page.

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Dark Glories and Edge Zones

This is from a blog called A Year in the Country:

The Films of Old Weird Britain

Recent years have seen a ‘rural turn’ in British cultural studies. Artists have wandered into an interior exile and a re-engagement with the countryside – its secret histories, occult possibilities. Psychogeographers are drawn to its edgezones and leylines, fringe bibliophiles are rediscovering the dark glories of writers such as Alan Garner, John Wyndham and Nigel Kneale, while organizations such as English Heretic and Lancashire Folklore Tapes exult in mystical toponymies and wiccan deep probes.

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Moore on Lovecraft

Providence01-WomenofHPL-600x927  Providence04-portrait

From The Quietus, Nick Talbot , August 31st, 2014:

Towards the end of a recent interview with Alan Moore on his relationship with the writer Iain Sinclair our conversation drifted towards another topic: Moore’s upcoming Lovecraftian work Providence. A huge number of writers, including Ramsey Campbell, Colin Wilson, Steven King and Robert Bloch have contributed to the ‘Cthulhu Mythos’, the shared fictional world created by H.P. Lovecraft, in a tradition Lovecraft himself encouraged via voluminous correspondence with younger acolytes. As a result of his creative generosity, Lovecraft occupies a rare status as a writer whose vision has taken on a life of its own. While much written work suffers a reductive blow when undergoing adaptation, by respectfully borrowing elements from Lovecraft’s world, new comics, games and films contribute to its expansion, and the Cthulhu Mythos creeps further into popular culture every year.

Yet Lovecraft has rarely been judged a good writer, and many decades of critical derision – often objecting to his tendency for baroque adjectives – relegated him to the status of an eccentric hack in an already ghettoised genre. But as the Cthulhu cult became too popular to ignore, the last decade has seen a growing stream of Zeitgeist-wary cultural theorists publishing analytical works focusing on various aspects of his vast imagination, and Lovecraft is now finally taken seriously as a writer of ideas.

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Gonny Gonzales Tabby House Ruins

IMG_0193The following was written yesterday by Tim Gilmore:

Source: Gonny Gonzales Tabby House Ruins

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Smile Jenny, You’re Dead (1974) Featuring Jodie Foster!

Here’s an interesting review of a short-lived detective TV series from the mid-seventies. I was stationed in Spain during this time and never saw the show, but it sounds great.

Source: Smile Jenny, You’re Dead (1974)

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Next at CoRK / Jax by Jax

folio-weekly-jim-draper-and-hurley-winkler-splitscreen

Happening in Jacksonville, FL

From Folio Weekly:

Hurley Winkler is good at far too many things. Her CV includes helping produce Swamp Radio and Perversion magazine, and she’s just finished her master of fine arts in creative writing at Lesley University. Jim Draper is primarily known as a visual artist whose work has been seen in galleries, in the airport, on the façades of public buildings — on and on. But he’s not just a visual artist. Draper says, “Words are our primary symbols.”

On Feb. 23, each will perform a reading of their work at the second monthly installment of JaxbyJax.

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Writers and Artists of Jacksonville!

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